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Nate's new solo album is the result of one day recording original compositions and another day of free improvisations in the studio of singer-songwriter, sound engineer, and ethnomusicologist Jonathan Wu.


On the record, Nate plays a 1947 Epiphone Blackstone with Dearmond FHC through Boss FDR-1, DD-3, and TR-1 pedals into a 1954 National 1201 amplifier.

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